Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, September 16, 2015

Rainbow's 1984 show coming to DVD in Japan

On Oct. 21, 2015, Japan's Ward Records is going to release
Rainbow's "Live in Japan 1984" on DVD.

Recorded on Mar. 14, 1984 at Budokan, Tokyo,
Rainbow's "final" show backed by a symphony orchestra
was once released on VHS/LD in 1984 but long time OOP.

On the new DVD, video is restored from
the recently discovered original 1-inch master videotape.
Audio is also restored.

The DVD also includes archival interview with the members of the band
except Blackmore.

DVD specs

  • Main feature: 104 mins
  • Extras (Interview): 8 mins
  • AR: 4:3
  • Audio: DD 2.0 / DD 5.1 / dts surround
  • Subtitles: Japanese

Editions


On the same day they also release Eagle Rock Entertainment's
"The Richie Blackmore Story",
and there are sevral different editions with and without it.


The Band

  • Ritchie Blackmore (g)
  • Joe Lynn Turner (vo)
  • Roger Glover (bs)
  • David Rosenthal (kb)
  • Chuck Burgi (ds)

Tracklist

  1. Intro: Toccata and Fugue in D Minor / Over the Rainbow
  2. Spotlight Kid
  3. Miss Mistreated
  4. I Surrender
  5. Can't Happen Here
  6. Catch the Rainbow
  7. Power
  8. David Rosenthal solo
  9. Street of Dreams
  10. Fool for the Night
  11. Difficult to Cure
  12. Ritchie Blackmore solo
  13. Chuck Burgi solo
  14. Blues
  15. Stranded / Hey Joe / Stranded
  16. Death Alley Driver
  17. Fire Dance
  18. Vielleicht das Nächste Mal (Maybe Next Time)
  19. 19. All Night Long / Woman from Tokyo / All Night Long
  20. Lazy
  21. Since You Been Gone
  22. Smoke on the Water
(Tracklist is same for DVD, CDs and LPs.)






Sunday, June 10, 2012

Chicago Live in Japan - a Japanese engineer's recollection

As I wrote before, Warner Music Japan recently re-released
Chicago's "Live in Japan" album (1972) in mini-LP replica style CD.



To promote this release, Warner Music Japan's official YouTube channel
has 2-part interview with Tomoo Suzuki, the recording engineer of the album.
He also supervised the remastering of this reissue.

Part 1.

Part 2.

Since it's in Japanese only and there's no CC available,
I'm afraid it's useless for most foreigners.

However each part has a sample audio from the remastered album near the end,
"Low Down" (Japanese version) (at 6:20 of Part 1) and
"25 or 6 to 2" (at 5:40 of Part 2).

Also, after "25 or 6 to 2", they look at the actual mini-LP and shows what's inside (at 8:16).

FYI, here are some tidbits from the interview:
  • When they asked the live recording, Japanese side didn't expect the band would agree, especially after the Carnegie Hall live album.
  • The band asked Japanese side to prepare all the equipments, while they would bring American producer and engineer(s) to Japan.
  • The recording was done with a pair of 8-track 1/2 inch tape recorders.
  • While the tour started in Tokyo, Japanese team deliberately chose Osaka for the recording.
    They expected Tokyo would be a "good rehearsal" for the band, which would make them feel much comfortable in Osaka.
    Also, they figured audience in Osaka would show more excitement and appreciation honestly than those in Tokyo, who often behave too well-mannered and stay calm.
  • Japanese-language version of "Low Down" was a complete surprise for Japanese, including the recording crew.
  • While many live albums have "fixes" (especially today), it's not possible for this album, simply because the band had returned home.
    Suzuki also said "equipments those days were much simpler, there's less room for manipulations. So you get what the band performed".
  • At the time, Suzuki was 25 years old and only one year experience as a recording engineer/mixer, and mostly served as an assistant. He was very surprised when James William Guercio personally told him to do the mixing down.
  • After Wayne Tarnowski examined the recording at Roppongi sutdio and gave general directions, he returned home. The rest was up to Japanese crew.
  • When mixing down was finished, they sent the result as a laquer disc to America, and it was accepted for the release.
  • Some time later Suzuki visited America for study and met Guercio again, who told him it was very good. "I felt very happy," Suzuki said.
  • The success of this album led Suzuki to many other "Live in Japan" projects, suh as Beck, Bogart & Appice, Santana, Mountain, Bob Dylan, Cheap Trick.
    "Without this album, my life would have been completely different," Suzuki said.



Sunday, January 22, 2012

EW&F on Blu-spec mini-LP CD in Japan

On March 7, 2012, Sony Music Entertainment Japan will release
15 Earth, Wind & Fire titles from the Columbia years
on limited editions of Blu-spec CD in mini-LP replica package.
  • Last Days And Time (SICP20351)
  • Head To The Sky (SICP20352)
  • Open Our Eyes (SICP20353)
  • That's The Way Of The World (SICP20354)
  • Gratitude (SICP20355/6)
  • Spirit (SICP20357)
  • All'N All (SICP20358)
  • Best Of Earth,Wind & Fire Vol.1 (SICP20359)
  • I Am (SICP20360)
  • Faces (SICP20361/2)
  • Raise! (SICP20363)
  • Powerlight (SICP20364)
  • Electric Universe (SICP20365)
  • Touch The World (SICP20366)
  • Heritage (SICP20367)
It's planned to use new DSD remastering.



Monday, January 16, 2012

Jammit vs. R-Mix


What do you think about Jammit?

If you don't know what it is, check out "How It Works" demo.
I find it interesting.

However, I think the software called R-Mix (and its simplified iPad version called R-Mix Tab),
which is soon to be released from Roland, can be their strong competitor.

See this video: R-MIX Audio Processing Software Overview

Roland's official information on the product is here.

If you want a tool to help you to learn to play instrument,
perhaps R-Mix offers more than what you need.
I think you can have more fun with R-Mix as it offers more flexibility than Jammit's service.

On the other hand, if your interest is to listen to the elements of music you love, analyze its structure etc, Jammit may be your treasure trove.

For example, their demos include the Beatles' Revolution.
Brief breakdown of this song alone makes me interested in Jiammit's service.


Saturday, January 14, 2012

Sam Cooke's RCA titles on Blu-spec mini-LP CD in Japan

On March 7, 2012, Sony Music Entertainment Japan will release
9 Sam Cooke titles from the RCA years on limited editions of
Blu-spec CD in mini-LP replica package,
6 of which are previously not available on CD in Japan.
  • Cooke's Tour (2006 & 2011 remasters)
  • Hit of the 50's
  • Sam Cooke
  • My Kind of Blues
  • Twistin' the Night Away
  • The Best of Sam Cooke (2006 remaster)
  • Mr. Soul
  • Night Beat (2006 remaster)
  • One Night Stand: Live at the Harlem Square (2006 remaster)

They use 2011 remasters, except where stated otherwise.



Tuesday, January 10, 2012

Millennium Godzilla Best - Japanese CD

Composed and arranged by Akira Ifukube

Cat.#: TYCY-10043
Release date: Dec. 6, 2000
Publisher: Toshiba EMI
Audio remastered by Shûji Kitamura

cover illustrated by Yûji Kaida

Basically, this is a "best-of" compilation of music by Akira Ifukube from the soundtracks of Toho's kaijû/tokusatsu/sci-fi movies in the 1950s-70s.

In Japan, there are so many compilations of this kind that it's hard to pick one.
But this CD is a good single disc compilation.
If you are a casual fan of Toho's monster/sci-fi movies, and just want one CD that compiles "the best of" Ifukube's music from those movies' original soundtracks (not covers), along with Godzilla's roars and footsteps - then perhaps this CD will do a decent job for you.


Track list:

01-03 from "Godzilla" (1954):
  • Footsteps - Main Title (2'09")
  • Godzilla Lands (1'55")
  • Ending (1'42")


04-06 from "Rodan (Sora no Daikaijû Radon)" (1956):
  • Main Title (2'35")
  • Supersonic Chase - Chase to Rodan (2'32")
  • Rodan Attacks Fukuoka I (3'22")


07-08 from "The Mysterians (Chikyû Bôeigun)" (1957):
  • Main Title (1'45")
  • The First Battle (5'40")


09-10 from "Varan the Unbelievable (Daikaijû Baran)" (1958):
  • Main Title (1'48")
  • The Shipwreck of a Fishing Boat - The Depth Charge Attack Begins (3'10")


11-12 from "Battle in Outer Space (Uchû Daisensô)" (1959):
  • Main Title (1'24")
  • Battle in Outer Space (2'51")


13-16 from "King Kong vs. Godzilla" (1962):
  • Main Title (2'04")
  • Godzilla Revives (1'43")
  • Transportation of King Kong (2'15")
  • King Kong vs. Godzilla I (2'44")


17-18 from "Atragon (Kaitei Gunkan)" (1963):
  • Atragon Trial Run I - Atragon Trial Run II (3'19")
  • The Volunteer Corps in Action (2'17")


19-20 from "Mothra vs. Godzilla" (1964):
  • The Recollection of Twin Fairy (1'48")
  • Ending (1'11")


21-22 from "Dogora, the Space Monster (Uchû daikaijû Dogora)" (1964):
  • Dogora's Natural Enemy (1'33")
  • Air Force Begins Attack (2'10")


23 from "Ghidorah, the Three-Headed Monster (San Dai Kaijû: Chikyûaidai no Kessen)" (1964):
  • The Birth of King Ghidrah (1'43")


24 from "Frankenstein Conquers the World (Frankenstein tai Chitei Kaijû Baragon" (1965):
  • An Incident in the Mountain Forest - The Searching March (3'05")
25-26 from "Invasion of Astro-Monster (aka Monster Zero) (Kaijû Daisensô)" (1965):
  • Kaijû Daisensô March (3'09")
  • Kaijû Daisensô (2'19")


27 from "The War of the Gargantuas (Frankenstein no Kaijû Sanda tai Gaira)" (1968):
  • Operation L March I (3'53")


28 from "Destroy All Monsters (Kaijû Sôshingeki)" (1968):
  • Toho logo - Main Title - Title Credits (2'03")


29-30 from "Terror of Mechagodzilla (Mekagojira no Gyakushû)" (1975):
  • The Revival of Godzilla (3'40")
  • Ending (1'20")


The track titles are, of course, not official. Just my translation.


The Booklet (in Japanese only, of course) has liner notes explaining the concept of this compilation.

It also includes basic informations about the movies, with theatrical posters printed in B&W. Not bad.

For each track there's a brief description, where in the movie it's used, etc.
For a few tracks that have lyrics, they are printed too.


Audio:

The booklet explicitly states it's pseudo-stereo made of mono.

Personally I don't like this approach. If the original material is recorded in mono, I want to listen it in mono.
But, to be honest, practically it's not a problem at all - for me at least.

The advertisement slip claims it's "digitally remastered with the latest digital technology." (Remember the CD was released in 2000.)
But in the liner notes, the writer claims that technology was used to restore the sound, and get the full potential of the source magnetic tapes.

In terms of audio quality, this disc would never blow anyone away.
This sounds very much like what I expect from old Japanese movies, as good as it gets.





Monday, December 12, 2011

Regional restriction on download/streaming

Side-Line Music Magazine had an article titled "CD-format to be abandoned by major labels by the end of 2012" as of Oct. 23.

While this may be what many people anticipated (except for actual schedule), I was a little surprised. I thought it would be much later.

But, this makes me worry - not about the end of CD itself, but about the future of  download/streaming.

I don't worry too much about the audio quality because, when download/streaming becomes the ONLY way to purchase music, the demand for higher quality is inevitable.

Actually, after the failure of SACD/DVD-A,download/streaming will be better way to introduce HD audio to main stream audience than, say, BD-audio.

Rather, I see a possible problem in regional restriction.

For example, HDtracks.com offers many HD music but they are limited to the customers with USA addresses, so I can't purchase them.

Likewise, Japanese website e-onkyo offers HD music only to the customers with Japanese addresses.

Same goes for movie websites, such as Hulu.

Perhaps 1/3 of my music/movie disc collection are imports.
Regional coding of DVD was not a very big problem because there were several ways to get around.

But when download/streaming block customers by their addresses,
I don't see any "legal" way to cope with it.
This means I can no longer import music and movie when physical media is gone, and that's a BIG problem for me.

I want free market.